Dis/Organizing: How We Build Collectives Beyond Institutions
a non-comprehensive community toolkit and report
by Rachel Kuo & Lorelei Lee
This toolkit offers key organizing lessons, strategies, and political visions from migrant worker and sex worker-led political formations: workers who are forcibly excluded from the economy or working in the shadows of formalized economies. This toolkit features a summary of research conducted between February 2021 – July 2021. It also draws from collective learning during the Informal, Criminalized, Precarious: Sex Workers Organizing Against Barriers conference.
Why a disorganizing toolkit?
“We’re messy on purpose,” says an organizer building with workers in street economies.
Workers pushed into informal economies often create their own informal collectives, networks, and structures for political mobilization and resource sharing. Often, groups are fulfilling needs for people who experience forced exclusion from institutional systems and cannot access resources through existing structures. These formations disorganize exclusive and formal institutions and systems. The idea of dis/organizing emerges from an essay by incarcerated abolitionist organizer Stevie Wilson. By creatively working within and against the system, we can create practices that are disruptive to administrations, bureaucracies, and institutions. At the same time, we must also protect against being disorganized by these same institutional systems.
“Government organizations perpetually create a cycle of harm, that then creates cycles where survivors go on to harm others too,” says an organizer working within a survivor-led informal political collective.
When groups come together in moments of heightened urgency and necessity, infrastructures may come together quickly. Internal infrastructures and processes, such as decision-making, communication, and leadership development, can be left less clear. Additionally, as groups grow to meet the needs of participating communities, the pace and scale of work can become less sustainable, with individual organizers experiencing exhaustion and burn-out. Yet, in order to maintain their formation and access resources for longer-term sustainability, groups also may be forced to incorporate into the very institutional systems that have created and upheld barriers for participation and resource distribution. This means simultaneous forced exclusion and enforced inclusion.
Getting people together can be messy, especially when people have different and uneven material relationships to labor and work that also impact how they participate in activism. For example, members within a collective may also experience various forms of precarity, going from low to no income or from housed to unhoused. Additionally, depending on types of work, access to licenses, and/or immigration status, people will be differentially exposed to systems of criminalization and vulnerability to arrest.
Criminalization and stigmatization of workers seeking means of survival impedes and deprives access to resources, including funding, social support, digital platforms, and physical organizing spaces. In this toolkit, we draw from resistance strategies by communities who have been unbanked and un-funded; excluded from communications and financial platforms, social services and social networks, and from most institutions; and unwelcome and policed in public spaces. We share key ideas on ways to build and sustain political collectives, organizations, and formations beyond existing institutions.
About the authors:
As facilitators of this toolkit, we are simultaneously conveners and participants of multiple movement spaces and political collectives that experience many of the challenges raised. We have questions about the conflicts that come with uncompensated and under-compensated labor in social movements and the issues that arise with fundraising, tax compliance, and organizational formalization. We have also moved between (and continue to work across) different kinds of organizations, institutions, and formations. This toolkit is an attempt to answer some of these questions we continue to struggle with.
Rachel Kuo (@rachelkuo) writes about race, social movements, and digital technology. She is a co-founder of the Asian American Feminist Collective. She is currently a Postdoctoral Fellow at the Center for Information, Technology, and Public Life.
Lorelei Lee (@MissLoreleiLee) is a sex worker, writer, and activist. You can find their writing in The Establishment, $pread Magazine, n+1, Hustling Verse, and elsewhere. They are a founding member of Survivors Against SESTA; co-founder of the Disabled Sex Workers’ Coalition; and researcher at Hacking//Hustling.
This toolkit is made possible through funding by the Social Science Research Council Just Tech COVID-19 Rapid Response grant and supported through the Center for Information, Technology, and Public Life at the University of North Carolina-Chapel Hill.
Borrowing Authority From Death
October 7, 2021
4pm indoor ritual live stream via The Leslie-Lohman Museum of Art @leslielohmanmuseum and SWANA-NYC @swananyc Instagram,
5pm meet for reflective walk at The Leslie-Lohman Museum of Art, 26 Wooster Street, Soho to Battery Park, via 9/11 monument
Please note that the ritual portion inside the Museum will only be viewable via IG live
October 7, 2021, will be 20 years after the first bombs were dropped on Afghanistan, starting the “War on Terror”. Artist Amitis Motevalli will reflect on the toll the reaction the United States has taken to the horrific attack and massacres on September 11, 2001, not only in the regions invaded, but how the globe has changed as a result of 20 years of war. As a healing, the ritual/performance is for a day of mourning dedicated to those who have borne the brunt of the 9/11 attacks, those killed on 9/11, those killed in the wars. The performance will begin with a pain ritual to bear the weight of the day starting indoors at the Leslie-Lohman Museum, with musicians playing while preparing needle piercings on the artist’s back. The artist will be wearing a sculptural altar called an “alam” from Shia and Sufi rituals during the walking performance. While the procession will begin solo, anyone who wishes to join in a silent reflective walk on the street is welcome. The reflective walk will head south on Broadway to the footprint of the Twin Towers, down Washington Street through Little Syria into Battery Park.
Of the many components of the ritual, the act of walking, looking, reflecting is pivotal. The title, “Borrowing Authority from Death” is from a passage of “Illuminations'' by Walter Benjamin. The performance shares the spirit of walking reflections like Benjamin to access and grieve the devastation and atrocities of war, to feel under our feet, in our bodies in the most humble way the difficulty of escaping violence, hunger and turmoil, allowing processing rather than vengeance. The journey is also inspired by Farid Ud-din Attar’s Conference of the Birds, with a quote from the walking altar, seeking wisdom.
The walking path passes through numerous burial grounds that were quickly built over for commerce, like the World Trade Center. The ritual is dedicated to all who had to pay for the horrific devastation on 9/11/2001. The performance will in particular honor the people often left out of the narrative; women, girls, femmes, queers and gender non-binary people killed in lands under the bombs or on their journey to flee since the start of the war in Afghanistan, then Iraq, Somalia, Syria and Yemen, bleeding into the diasporas. It’s also a dedication to all of us who have borne the burden of the attacks on New York City through blame and discrimination, legally or informally, even as we were horrified and mourned the atrocities.
About the artist Amitis Motevalli
Amitis Motevalli is an artist born in Iran. She explores the cultural resistance and survival of people living in poverty, conflict and war. Through many mediums including, sculpture, video, performance and collaborative public art. Her work juxtaposes iconography with iconoclasm, asking questions about violence, power and historical canons. She is equally known for her work in Educational Justice, working with youth and communities to gain equal access to civil rights, privacy and pedagogy without profiling. Motevalli is invested in research, collaboration, and the potential of art to expand thought. For her current project, Motevalli is working internationally with a broad spectrum of transnational Muslims in order to research what defines home, life and labor in the urgency of survival. She is particularly concerned with discursive work with Women, Girls, Femme and Queer Muslims who come from places of political and religious conflict and collaborating on public art projects. She currently lives and works in Los Angeles, exhibiting art internationally.